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The notion of digital humanities appeared about twenty years ago, but as of 2016 it is still difficult to get precise definitions...

 

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Even the excellent, 90-page state of the art written by Marin Dacos and Pierre Mounier [1] does not contain a clear definition. 

 

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We believe that adding the adjective ‘digital’ to social sciences does not amount to entering the domain of digital humanities – otherwise the notion loses its meaning: obviously, using computers and manipulating ditigized files is not sufficient to claim that one is a practitioner of digital humanities. Computers are now so widely used in all domains and at all levels that their use does not by itself define a specific subfield, hence the conclusion of Burdick et al. (2012) [2] that the era of digital humanities has just begun, but may already be coming to an end.

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Researchers at the Institute MICA believe that there can only be digital humanities to the extent that researchers in social sciences enter into a strong association with researchers in computer science (and in information technology in general), working on joint projects. Only a close association between these two categories of researchers can open into new paradigms, new concepts, and hence new applications: such is the programme of digital humanities.

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Since several years, information technology experts at the Institute MICA have worked together with researchers in social sciences – linguists, ethnologists or historians – in the framework of joint research projects.

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Among the projects of this type conducted at the Institute MICA, one may mention (i) the SEPIA project [3], carried out with the Ecole Française d’Extrême Orient (EFEO); (ii) projects for the long-term archiving and the exploitation of heritage collections (KRAP [4], Au Co Collection [5], DoReMiFa digitization programme [6]), (iii) projects combining linguistic studies and vocal technologies for languages known in the engineering community as “little-endowed”, and for endangered languages (PI Languages [7], APPSy [8], APRIL [9]); (iv) a project for the identification of medicinal plants of Vietnam; and, most recently, (v) the TAPASSA [10] project (ongoing, again with historians from EFEO) for automatic translation of academic writings in social sciences.



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[1] Marin Dacos & Pierre Mounier, Humanités Numériques, Etat des lieux et positionnement de la recherche française dans le contexte international, Institut Français, ISBN 9782354761080/9782354761097, 2014

[2] Anne Burdick, Johanna Drucker, Peter Lunenfeld, Todd Presner, Jeffery Schnapp, Digital_Humanities, The MIT Press, Cambridge, Massachusetts London, England, 2012, ISBN 978-0-262-01847-0

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[3] SEPIA « Système d’Etude du Patrimoine des Inscriptions Anciennes du Vietnam », 2007-2008

[4] KRAP « Khmer Rouge Achives Preservation », pré-projet AUF, 2013-2014

[5] http://www.mica.edu.vn/research-actions/au-co-project/

[6] DoReMiFa « Données des Recherches Linguistiques de Michel Ferlus en Asie du Sud-Est », projet de la BSN, 2014-2016

[7] http://pi.imag.fr/xwiki/bin/view/Main/

[8] APPSy « Asymétries Phonétiques et Phonologiques de la Syllabe », projet ANR « Blanc » 2010-2015

[9] APRIL « Avancées dans le Prototypage Rapide pour l’Informatisation des Langues », Projet PEPS HuMaIn de la mission pour l’interdisciplinarité du CNRS, 2013-2014

[10] TAPASSA « Traduction Automatique Probabiliste Appliquée aux Sciences Sociales en Asie » - EFEO/MICA, 2016



 
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